Misha Smith

  • Prototype for a Spatialised Instrument
  • Installation 4: The Slade
  • Composition
  • Kay:Prototype
  • Broadcast
  • Installation 3: Dispersed Mode
  • Installation 2: In A Line
  • Guitar Duet
  • Tuning
  • Re-Stringing
  • Installation 1: The Cowshed
  • The Prototype Makes Sound
  • Making: Frame
  • Making: Soundboard
  • Making: Action
  • Designing
  • Speculative Models
  • The Ness
  • Prototype for a Spatialised Instrument - Writing
  • 01.0_Introduction
  • 01.1_Sound and Architecture
  • 01.2_Britten and Aldeburgh Festival
  • 01.3_Orfordness: A Starting Point
  • 01.4_Speculative Models
  • 01.5_Horns, Strings and Harmony
  • 02.0_Instrument Building
  • 02.1_Prototype
  • 02.2_The Importance of the Object
  • 02.3_The Notes
  • 02.4_Keyboard
  • 03.1_Making as a Design Tool
  • 03.2_Analogue/Digital
  • 03.3_CAD/CAM
  • 04.0_Composition
  • 04.1_Serialism
  • 04.2_Composing Architecture
  • 04.3_Site Specific Tuning
  • 04.4_Sensing Site and Audience
  • 04.5_Spatial Arrangement
  • 05.0_Installation/Performing
  • 05.1_Learning to Play
  • 05.2_Re-Stringing, Regulation and Tuning
  • 05.3_Acton St: Test Site
  • 06.0_Representation
  • 07.0_Meta-Serialism
  • 07.2_The Future of the Project
  • Thanks
  • Info
  • Contact
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    Copyright 2010